The exhibition by Kate Waters will be extended until November 11, 2017. The Now Images of our times will be on view at the latest Kate Waters exhibition. They are pictures of places that could nearly all be rooted in our collective memory - a Brussels restaurant by day, a New York rooftop terrace in the evening and a pedestrian crossing in central London at night. Incidental scenes in modern urban spaces whose picture-worthiness has been explored from ever new angles since the Impressionists. Cropped fragmentary views of people and architecture that appear to have a presence and, at the same time, to metamorphose into landscapes of colour, light and form. A combination of tranquillity and serenity lies over the scenes, even in the hustle and bustle of the road traffic, or the lively nightclub at the feet of the showgirls. A cross between a world of leisure and touristy-looking snapshots from Venice. As if seen from the viewpoint of an innocent eye looking at a world that presents itself as non-threatening and peaceful. The Impressionists may already have succumbed to an illusion by wanting to see the new world of the western metropolis in a completely novel way. Paris - the city of illuminated streets, cafés and world fairs - the capital of the 19th century. Buoyed by the strains of Jacques Offenbach’s music, perhaps this also paved the way for this new concert hall, which opened in 1865 - Ba-ta-clan. In times of terror - which can strike any and every place along with any passer-by who just happens to be there - all incidental scenes are subliminally charged. The names of cities such as Brussels, New York and London now sound - at lower and more piercing frequencies - like something other than the catchwords for a thrilling lifestyle. Deep-seated uncertainty papered over with shock-tested bravura in the shadow of intense fear has been emblematically captured by Kate Waters in a scene from the Royal Museums of Fine Arts in Brussels. A young man stands in front of a painting - ‘The Death of Marat’ by Jacques-Louis David. With this painting, David created a memorial tribute to the French politician of the revolutionary period who was the victim of an assassination. This defenceless and guileless victim in a bath was fatally stabbed by an anti-Jacobin female activist. However, Marat was himself considered to be a precursor of the Reign of Terror that, two months after his death, claimed the lives of thousands of other people. This has now been turned into high art and, after more than 200 years, this horror would now be barely imaginable. Until one February day in 2017, when the Paris' Louvre was closed after an attempted attack, it became "Extremely loud and incredibly near”. So, those who, in turbulent times, seek refuge in the sanctuary of art may well be surprised. And what’s with those erotically dressed women in a nightclub? Are they representatives of an endangered permissive, liberal lifestyle in the secular west? Or do they not rather represent the tried-and-tested and successfully commercialised sexist exploitation of women in a culture that is still patriarchally oriented? Is gender itself not just a social construct? And who are the dark-skinned men at the Brussels Palace of Justice? Are they clarifying their own legal issues with respect to migration and refugees? Or are they following the tracks of the great financier of this magnificent monumental building - King Leopold II. The Congo Free State belonged to him; it was his private colony and the source of his tremendous wealth in the shadow of tremendous atrocities carried out against the inhabitants. That too lies in the distant past. Nevertheless, perhaps some parts of that history can explain current events in the southern Mediterranean. You don’t have to follow these trains of thought, especially not as the pictorial quality of the images themselves has remained entirely committed to art. That in itself is already an approach that offers opportunities for discussion about the state of other contemporary art. Yet, beyond that, Kate Waters provides points of reference for a very topical and critical interpretation that opens up her images of our times for political and social questions, too. Quite incidentally, en passant. Thomas W. Kuhn, Tiergarten 2017
Amparo Sard | Fuzzy Objectives Nov 16, 2024 - Jan 25, 2025 |
Frank Bauer | Herringbone parquet and other problems Sepr 28, 2024 - Nov 09, 2024 |
Tenda Lomba | This Wonderful World Aug 24, 2024 - Sepr 21, 2024 |
SELECTION 2024 Jun 18, 2024 - Jul 06, 2024 |
Jurriaan Molenaar | BAUHAUS + GRAUHAUS Apr 20, 2024 - Jun 08, 2024 |
Michael Tolloy | ANDROS + GYNE Feb 17, 2024 - Apr 06, 2024 |
Idowu Oluwaseun | PEDESTAL Dec 09, 2023 - Feb 10, 2024 |
SELECTION 2023 Nov 10, 2023 - Dec 02, 2023 |
Harding Meyer | Audience Aug 26, 2023 - Nov 04, 2023 |
Summer Break Jul 11, 2023 - Aug 22, 2023 |
Flávia Junqueira | Symphony of Illusions Jun 10, 2023 - Jul 08, 2023 |
Fransix Tenda Lomba | Historical Shock Apr 22, 2023 - Jun 03, 2023 |
Till Freiwald | Echo Jan 28, 2023 - Mar 31, 2023 |
SELECTION | Part 2 Dec 16, 2022 - Jan 21, 2023 |
Daniel Heil | Wheel of Dharma Nov 05, 2022 - Dec 03, 2022 |
Claudia Rogge | WARP and WEFT Aug 27, 2022 - Oct 29, 2022 |
Éder Oliveira | Oposición Jun 24, 2022 - Jul 30, 2022 |
Fábio Baroli | Where the wind turns May 06, 2022 - Jun 18, 2022 |
Frank Bauer | Bilder vom Verschwinden Mar 12, 2022 - Apr 30, 2022 |
Selection Feb 08, 2022 - Mar 05, 2022 |
Harding Meyer | known unknowns Oct 29, 2021 - Dec 18, 2021 |
Kate Waters | It takes one to know one Aug 27, 2021 - Oct 23, 2021 |
Giacomo Costa | Atmospheres May 28, 2021 - Jul 03, 2021 |
Idowu Oluwaseun | REVOLUTIONS PER MINUTE: a synthesis of time and sound Oct 30, 2020 - Dec 12, 2020 |
Peter Uka | Inner Frame Aug 28, 2020 - Oct 24, 2020 |
Harding Meyer | new works Jun 05, 2020 - Jul 15, 2020 |
Mary A. Kelly | Chair Mar 14, 2020 - May 30, 2020 |
Michael Tolloy | Solid Solidarity Jan 17, 2020 - Feb 29, 2020 |
Kate Waters | Love Shacks and other Hideouts Oct 18, 2019 - Jan 09, 2020 |
Frank Bauer | Paths of Inaccuracy Aug 30, 2019 - Oct 12, 2019 |
Christian Bazant-Hegemark | Kindness of Strangers Jun 07, 2019 - Jul 13, 2019 |
Sandra Ackermann | Escape into your Reality May 03, 2019 - Jun 01, 2019 |
Kay Kaul | Cloudbusting Mar 08, 2019 - Apr 27, 2019 |
Jurriaan Molenaar | Fermate Jan 18, 2019 - Mar 02, 2019 |
Harding Meyer / Humanize Oct 19, 2018 - Jan 12, 2019 |
Mihoko Ogaki / Soft Landing Aug 31, 2018 - Oct 13, 2018 |
Peter Uka / Fragment of the Present Passed Apr 13, 2018 - May 26, 2018 |
Daniel Heil / Monologues Mar 09, 2018 - Apr 07, 2018 |
Düsseldorf Photo Weekend 2018 Feb 16, 2018 - Feb 18, 2018 |
Sandra Senn / Zwischen Zwei Meeren Jan 26, 2018 - Mar 03, 2018 |
Frank Bauer / Die Gelassenheit der Dinge Nov 17, 2017 - Jan 20, 2018 |
Kate Waters / Whistling In The Dark Sepr 01, 2017 - Nov 11, 2017 |
Untitled Jul 12, 2017 - Aug 02, 2017 |
Davide La Rocca / 13K ( Part 1 ) May 12, 2017 - Jun 27, 2017 |
Sandra Ackermann / Lost in Nothingness Mar 24, 2017 - May 06, 2017 |
Claudia Rogge / CONCENTRATION Jan 27, 2017 - Mar 18, 2017 |
Christian Bazant - Hegemark / The Rise and Fall of Transformative Hopes and Expectations Nov 11, 2016 - Jan 21, 2017 |
Harding Meyer / The Others Aug 26, 2016 - Nov 05, 2016 |
Crossing Borders Jun 03, 2016 - Jul 15, 2016 |
Sandra Senn / Flüchtiges Getriebe Apr 08, 2016 - May 21, 2016 |
Corrado Zeni / Éloge de la fuite Nov 27, 2015 - Jan 09, 2016 |
Claudia Rogge / PerSe Oct 16, 2015 - Nov 21, 2015 |
Kate Waters // Tell it like it is Aug 28, 2015 - Oct 10, 2015 |
Visions Of Sensory Space ( by Weightless Artists Association - SPARTNIC ) May 15, 2015 - Jul 04, 2015 |
Sandra Ackermann / Wasteland Mar 13, 2015 - May 02, 2015 |
Lost Scapes Jan 30, 2015 - Mar 07, 2015 |
Christian Bazant-Hegemark / Calibrating Aesthetics Nov 14, 2014 - Jan 17, 2015 |
Frank Bauer / Back to Basics Aug 29, 2014 - Nov 08, 2014 |
Harding Meyer // recent paintings May 23, 2014 - Aug 23, 2014 |
Till Freiwald - memoria Apr 11, 2014 - May 17, 2014 |
Quadriennale Düsseldorf 2014 / Gallery Evening Apr 05, 2014 - Apr 05, 2014 |
Giacomo Costa // Traces Nov 22, 2013 - Jan 11, 2013 |
DC-Open Galleries: Matthias Danberg - Inventory by Appropriation Sepr 06, 2013 - Nov 16, 2013 |
Christian Bazant-Hegemark // VOW OF SILENCE May 24, 2013 - Aug 20, 2013 |
Corrado Zeni // Generation Why Apr 12, 2013 - May 18, 2013 |
behind the Non-Colours Mar 22, 2013 - Apr 06, 2013 |
Sandra Ackermann // Running to stand still Feb 15, 2013 - Mar 16, 2013 |
Düsseldorf Photo Weekend 2013 Feb 01, 2013 - Feb 09, 2013 |
Mihoko Ogaki // Star Tales - White Floating Nov 30, 2012 - Jan 31, 2013 |
Claudia Rogge / Lost in Paradise Oct 12, 2012 - Nov 24, 2012 |
Harding Meyer // features Sepr 07, 2012 - Oct 06, 2012 |
Summer 2012 - Part 2 Aug 10, 2012 - Sepr 01, 2012 |
Summer 2012 Jul 06, 2012 - Sepr 01, 2012 |
Maria Friberg // The Painting Series May 11, 2012 - Jun 23, 2012 |
Mary A. Kelly // Father & Child Mar 30, 2012 - May 06, 2012 |
Maia Naveriani // Future Wolves and Chicks so far Feb 10, 2012 - Mar 24, 2012 |
Düsseldorf Photo Weekend 2012 Feb 04, 2012 - Feb 08, 2012 |
Kate Waters // The Air that I breathe Dec 09, 2011 - Jan 28, 2012 |
Frank Bauer / ...den Wald vor lauter Bäumen.... Nov 04, 2011 - Dec 03, 2011 |
Claudia Rogge // Final Friday Sepr 09, 2011 - Oct 29, 2011 |
Davide La Rocca - STILLS May 27, 2011 - Jul 16, 2011 |
Giacomo Costa // Post Natural Apr 01, 2011 - May 21, 2011 |
Harding Meyer - to be a real vision Feb 18, 2011 - Mar 26, 2011 |
Shannon Rankin - Disperse / Displace Dec 03, 2010 - Feb 12, 2011 |
Sandra Ackermann // I look inside you Oct 15, 2010 - Nov 27, 2010 |
Amparo Sard / AT THE IMPASSE Sepr 03, 2010 - Oct 09, 2010 |
Kate Waters // The Land of Kubla Khan Jun 11, 2010 - Jul 17, 2010 |
Jurriaan Molenaar // Lessness Apr 30, 2010 - Jun 05, 2010 |
Claudia Rogge // The Paradise of the Onlooker Mar 05, 2010 - Apr 24, 2010 |
Ivonne Thein // incredible me Jan 22, 2010 - Feb 27, 2010 |
Frank Bauer // Jet Set Nov 27, 2009 - Jan 15, 2010 |
Michael Koch // forever more Oct 23, 2009 - Nov 21, 2009 |
Masaharu Sato // SIGNS Sepr 04, 2009 - Oct 17, 2009 |
Harding Meyer // blind date Jun 19, 2009 - Aug 22, 2009 |
Maria Friberg // way ahead Apr 24, 2009 - Jun 13, 2009 |
Claudia Rogge - The Opening Mar 06, 2009 - Apr 18, 2009 |
Claudia Rogge // Isolation ( aus: Segment 8 - die Blasen der Gesellschaft) Mar 06, 2009 - Apr 18, 2009 |
JoJo Tillmann // What you see is what you get Jan 30, 2009 - Feb 28, 2009 |
Sandra Ackermann // Die Wirklichkeit ist nicht die Wahrheit Nov 21, 2008 - Jan 24, 2009 |
Kate Waters - Getting used to the 21st Century Oct 10, 2008 - Nov 15, 2008 |
Mihoko Ogaki - Milky Ways Sepr 04, 2008 - Oct 04, 2008 |
Summer 2008 // Painting Aug 12, 2008 - Aug 30, 2008 |
Silke Rehberg: Stationen 1,4,6,7,11,12,13,14 Jun 13, 2008 - Jul 12, 2008 |
Maia Naveriani: At home with good ideas May 09, 2008 - Jun 07, 2008 |
Justin Richel: Rise and Fall Apr 04, 2008 - May 03, 2008 |
Davide La Rocca - Strange Object Feb 08, 2008 - Mar 28, 2008 |
Frank Bauer: AkikoAlinaAlinkaAndrew.... Nov 30, 2007 - Feb 02, 2008 |
Maria Friberg: Fallout Oct 12, 2007 - Nov 24, 2007 |
Harding Meyer / in sight Sepr 06, 2007 - Oct 11, 2007 |
SUMMER '07 Jul 17, 2007 - Sepr 01, 2007 |
Kay Kaul - Wasserfarben Jun 15, 2007 - Jul 14, 2007 |
Sandra Ackermann - Point Blank Mar 02, 2007 - Apr 28, 2007 |
Tamara K.E.: pioneers -none of us and somewhere else Jan 19, 2007 - Feb 24, 2007 |
Till Freiwald Nov 17, 2006 - Jan 13, 2007 |
Claudia Rogge: U N I F O R M Sepr 01, 2006 - Nov 11, 2006 |
Kate Waters: Killing Time May 05, 2006 - Jun 17, 2006 |
Katia Bourdarel: The Flesh of Fairy Tales Mar 31, 2006 - Apr 29, 2006 |
Mihoko Ogaki Feb 10, 2006 - Mar 18, 2006 |
Silke Rehberg: RICOMINCIARE DAL CORPO Jan 27, 2006 - Feb 26, 2006 |
Sandra Ackermann Dec 08, 2005 - Jan 15, 2006 |
Corrado Zeni Dec 04, 2005 - Jan 11, 2006 |
Frank Bauer Nov 18, 2005 - Jan 15, 2006 |
Harding Meyer Oct 07, 2005 - Nov 12, 2005 |
AUFTAKT Sepr 02, 2005 - Oct 01, 2005 |
Claudia Rogge: Rapport Jun 17, 2005 - Jul 20, 2005 |
May 13, 2005 - Jun 11, 2005 |
Kate Waters: Solo-Exhibition in the Gallery Thomas Cohn, Sao Paulo Apr 16, 2005 - May 20, 2005 |
Vittorio Gui: FROZEN MOMENTS Apr 08, 2005 - May 07, 2005 |
Kay Kaul - ARTSCAPES Apr 03, 2005 - May 29, 2005 |
SEO Geheimnisvoller Blick Mar 04, 2005 - Apr 02, 2005 |
Claudia van Koolwijk at Museum Bochum Feb 26, 2005 - Apr 17, 2005 |
Corrado Zeni - Six Degrees of Separation Nov 26, 2004 - Jan 15, 2005 |
Maia Naveriani: What' s the difference between ME and YOU? Oct 15, 2004 - Nov 20, 2004 |
Tamara K.E.: MAD DONNA AND DONNA CORLEONE Sepr 03, 2004 - Oct 09, 2004 |
Davide La Rocca: Real Vision Reflex Jun 12, 2004 - Jul 17, 2004 |
Kay Kaul COLLECTORSCAPES Apr 23, 2004 - Jun 05, 2004 |