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Sandra Senn (* 1973 in Baden/Switzerland, lives in Berlin and Baden) ranks among the most important Swiss artists working in the field of digital images. For many years now, her multifaceted work has attracted enthusiastic attention at home and abroad and can be found in important institutional and private collections. In her current solo exhibition with the poetic (German) title «Zwischen zwei Meeren» [Between Two Seas] she is showcasing new groups of works. Eroded monumental animals in the solitude of the wide seas articulate the finite nature of civilisation. Yet, who has vanished - humans or animals? Does the apparent end actually mean the end, or is this the dawn of a new consciousness? Monumental animals in cast reinforced concrete and building remnants, which could perhaps be interpreted as research stations, stand as the decaying relics, of a vanished era, that have been abandoned in a vastness of drained seas. Parts of the animal bodies and buildings are eroded and broken. Rusted steel skeletons protrude in some places. Green algae have settled on the rough skin of the animals. A long time ago, someone must have erected them as imposing sculptures. Is this art, or are they monuments, or memories of erstwhile dreams? Yet, the former creators have vanished without a trace and it is not possible to detect any references to the narrative contexts. Sandra Senn has generated scenes from a fragile dystopia, however, their gloomy doomsday scenarios have been changed into ones of surprising astonishment. This is what distinguishes these works from many other dystopian works in contemporary art that celebrate technoid destruction. The animals maintain their positions calmly and mutely in an emptied world - the apocalypse has moved on and the storm appears to have been weathered. While the animals have not passed through the nights of time unscathed, nevertheless, they are still standing even though they are ruins. The subtle pastel shades of the cloudy sky correspond to the emotional fragility that stands in contrast to their defiant appearance. The exact historico-cultural origins of the animals, monuments and building remnants remain indeterminate, yet their dream-like sweeps immediately leap out at you. It is scarcely possible to escape from their melancholy sensuousness. The power of these images lies in the dystopian emptying, the slowing down to a state of petrified standstill and in the traversing of time and space as if in a dream. Sandra Senn subtly allows the enchantment of the unconscious to shine forth. The crucial factor here is that the artist uses digital technology merely as a means to an end and she is not interested in demonstrating technical effects, as is so often the case with digital works. It is painting by other means, as she once said in her studio. Instead, she is interested in seeking out unseen inner images and following them in order to discover where they lead. Sandra Senn does not calculate but, instead, she relies on a dog that has been turned into stone, which is crumbling, on lions keeping watch that stand sphinx-like at the end of an unfamiliar sea and on a horse that has become rooted in an inhospitable terrain and is hardly able to stand up again. As mute oracles these animals constitute a mysterious memory of a lost age. Paradoxically, at the moment of the greatest desolation there is a stirring of a faint hope of a new tomorrow. Another group of works with the allusive (German) title «Erahnengalerie» [Gallery of Vague Portraits] features enigmatic metamorphoses of portraits. Partly concealed as if behind a mask and partly spread over with colour, those who have been portrayed seem to be in the midst of a magical process of transformation. Sandra Senn challenges the clichéd notion that a portrait is a representation of a distinctive identity. The speed with which the faces have been affected by fish, feathers, or colour is the speed at which other transformations have to be expected. The images reveal multiple ‘I’s that find a meandering echo in the lyrical texts that have been put up on the walls. Sandra Senn confidently switches from images to language and, thus, impressively demonstrates a new facet of her versatile talent. In her short poetic texts, which also sometimes exhibit aphoristic qualities, a lyrical ‘I’ emerges that, engrossed in itself, wanders alone through newly awakening countryside. Markus Stegmann
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| Amparo Sard | Fuzzy Objectives Nov 16, 2024 - Jan 25, 2025 |
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| Frank Bauer | Herringbone parquet and other problems Sepr 28, 2024 - Nov 09, 2024 |
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| Tenda Lomba | This Wonderful World Aug 24, 2024 - Sepr 21, 2024 |
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| SELECTION 2024 Jun 18, 2024 - Jul 06, 2024 |
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| Jurriaan Molenaar | BAUHAUS + GRAUHAUS Apr 20, 2024 - Jun 08, 2024 |
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| Michael Tolloy | ANDROS + GYNE Feb 17, 2024 - Apr 06, 2024 |
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| Idowu Oluwaseun | PEDESTAL Dec 09, 2023 - Feb 10, 2024 |
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| SELECTION 2023 Nov 10, 2023 - Dec 02, 2023 |
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| Harding Meyer | Audience Aug 26, 2023 - Nov 04, 2023 |
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| Summer Break Jul 11, 2023 - Aug 22, 2023 |
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| Flávia Junqueira | Symphony of Illusions Jun 10, 2023 - Jul 08, 2023 |
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| Fransix Tenda Lomba | Historical Shock Apr 22, 2023 - Jun 03, 2023 |
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| Till Freiwald | Echo Jan 28, 2023 - Mar 31, 2023 |
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| SELECTION | Part 2 Dec 16, 2022 - Jan 21, 2023 |
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| Daniel Heil | Wheel of Dharma Nov 05, 2022 - Dec 03, 2022 |
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| Claudia Rogge | WARP and WEFT Aug 27, 2022 - Oct 29, 2022 |
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| Éder Oliveira | Oposición Jun 24, 2022 - Jul 30, 2022 |
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| Fábio Baroli | Where the wind turns May 06, 2022 - Jun 18, 2022 |
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| Frank Bauer | Bilder vom Verschwinden Mar 12, 2022 - Apr 30, 2022 |
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| Selection Feb 08, 2022 - Mar 05, 2022 |
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| Harding Meyer | known unknowns Oct 29, 2021 - Dec 18, 2021 |
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| Kate Waters | It takes one to know one Aug 27, 2021 - Oct 23, 2021 |
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| Giacomo Costa | Atmospheres May 28, 2021 - Jul 03, 2021 |
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| Idowu Oluwaseun | REVOLUTIONS PER MINUTE: a synthesis of time and sound Oct 30, 2020 - Dec 12, 2020 |
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| Peter Uka | Inner Frame Aug 28, 2020 - Oct 24, 2020 |
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| Harding Meyer | new works Jun 05, 2020 - Jul 15, 2020 |
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| Mary A. Kelly | Chair Mar 14, 2020 - May 30, 2020 |
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| Michael Tolloy | Solid Solidarity Jan 17, 2020 - Feb 29, 2020 |
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| Kate Waters | Love Shacks and other Hideouts Oct 18, 2019 - Jan 09, 2020 |
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| Frank Bauer | Paths of Inaccuracy Aug 30, 2019 - Oct 12, 2019 |
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| Christian Bazant-Hegemark | Kindness of Strangers Jun 07, 2019 - Jul 13, 2019 |
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| Sandra Ackermann | Escape into your Reality May 03, 2019 - Jun 01, 2019 |
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| Kay Kaul | Cloudbusting Mar 08, 2019 - Apr 27, 2019 |
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| Jurriaan Molenaar | Fermate Jan 18, 2019 - Mar 02, 2019 |
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| Harding Meyer / Humanize Oct 19, 2018 - Jan 12, 2019 |
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| Mihoko Ogaki / Soft Landing Aug 31, 2018 - Oct 13, 2018 |
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| Peter Uka / Fragment of the Present Passed Apr 13, 2018 - May 26, 2018 |
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| Daniel Heil / Monologues Mar 09, 2018 - Apr 07, 2018 |
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| Düsseldorf Photo Weekend 2018 Feb 16, 2018 - Feb 18, 2018 |
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| Sandra Senn / Zwischen Zwei Meeren Jan 26, 2018 - Mar 03, 2018 |
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| Frank Bauer / Die Gelassenheit der Dinge Nov 17, 2017 - Jan 20, 2018 |
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| Kate Waters / Whistling In The Dark Sepr 01, 2017 - Nov 11, 2017 |
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| Untitled Jul 12, 2017 - Aug 02, 2017 |
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| Davide La Rocca / 13K ( Part 1 ) May 12, 2017 - Jun 27, 2017 |
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| Sandra Ackermann / Lost in Nothingness Mar 24, 2017 - May 06, 2017 |
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| Claudia Rogge / CONCENTRATION Jan 27, 2017 - Mar 18, 2017 |
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| Christian Bazant - Hegemark / The Rise and Fall of Transformative Hopes and Expectations Nov 11, 2016 - Jan 21, 2017 |
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| Harding Meyer / The Others Aug 26, 2016 - Nov 05, 2016 |
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| Crossing Borders Jun 03, 2016 - Jul 15, 2016 |
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| Sandra Senn / Flüchtiges Getriebe Apr 08, 2016 - May 21, 2016 |
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| Corrado Zeni / Éloge de la fuite Nov 27, 2015 - Jan 09, 2016 |
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| Claudia Rogge / PerSe Oct 16, 2015 - Nov 21, 2015 |
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| Kate Waters // Tell it like it is Aug 28, 2015 - Oct 10, 2015 |
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| Visions Of Sensory Space ( by Weightless Artists Association - SPARTNIC ) May 15, 2015 - Jul 04, 2015 |
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| Sandra Ackermann / Wasteland Mar 13, 2015 - May 02, 2015 |
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| Lost Scapes Jan 30, 2015 - Mar 07, 2015 |
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| Christian Bazant-Hegemark / Calibrating Aesthetics Nov 14, 2014 - Jan 17, 2015 |
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| Frank Bauer / Back to Basics Aug 29, 2014 - Nov 08, 2014 |
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| Harding Meyer // recent paintings May 23, 2014 - Aug 23, 2014 |
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| Till Freiwald - memoria Apr 11, 2014 - May 17, 2014 |
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| Quadriennale Düsseldorf 2014 / Gallery Evening Apr 05, 2014 - Apr 05, 2014 |
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| Giacomo Costa // Traces Nov 22, 2013 - Jan 11, 2013 |
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| DC-Open Galleries: Matthias Danberg - Inventory by Appropriation Sepr 06, 2013 - Nov 16, 2013 |
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| Christian Bazant-Hegemark // VOW OF SILENCE May 24, 2013 - Aug 20, 2013 |
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| Corrado Zeni // Generation Why Apr 12, 2013 - May 18, 2013 |
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| behind the Non-Colours Mar 22, 2013 - Apr 06, 2013 |
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| Sandra Ackermann // Running to stand still Feb 15, 2013 - Mar 16, 2013 |
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| Düsseldorf Photo Weekend 2013 Feb 01, 2013 - Feb 09, 2013 |
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| Mihoko Ogaki // Star Tales - White Floating Nov 30, 2012 - Jan 31, 2013 |
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| Claudia Rogge / Lost in Paradise Oct 12, 2012 - Nov 24, 2012 |
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| Harding Meyer // features Sepr 07, 2012 - Oct 06, 2012 |
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| Summer 2012 - Part 2 Aug 10, 2012 - Sepr 01, 2012 |
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| Summer 2012 Jul 06, 2012 - Sepr 01, 2012 |
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| Maria Friberg // The Painting Series May 11, 2012 - Jun 23, 2012 |
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| Mary A. Kelly // Father & Child Mar 30, 2012 - May 06, 2012 |
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| Maia Naveriani // Future Wolves and Chicks so far Feb 10, 2012 - Mar 24, 2012 |
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| Düsseldorf Photo Weekend 2012 Feb 04, 2012 - Feb 08, 2012 |
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| Kate Waters // The Air that I breathe Dec 09, 2011 - Jan 28, 2012 |
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| Frank Bauer / ...den Wald vor lauter Bäumen.... Nov 04, 2011 - Dec 03, 2011 |
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| Claudia Rogge // Final Friday Sepr 09, 2011 - Oct 29, 2011 |
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| Davide La Rocca - STILLS May 27, 2011 - Jul 16, 2011 |
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| Giacomo Costa // Post Natural Apr 01, 2011 - May 21, 2011 |
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| Harding Meyer - to be a real vision Feb 18, 2011 - Mar 26, 2011 |
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| Shannon Rankin - Disperse / Displace Dec 03, 2010 - Feb 12, 2011 |
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| Sandra Ackermann // I look inside you Oct 15, 2010 - Nov 27, 2010 |
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| Amparo Sard / AT THE IMPASSE Sepr 03, 2010 - Oct 09, 2010 |
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| Kate Waters // The Land of Kubla Khan Jun 11, 2010 - Jul 17, 2010 |
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| Jurriaan Molenaar // Lessness Apr 30, 2010 - Jun 05, 2010 |
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| Claudia Rogge // The Paradise of the Onlooker Mar 05, 2010 - Apr 24, 2010 |
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| Ivonne Thein // incredible me Jan 22, 2010 - Feb 27, 2010 |
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| Frank Bauer // Jet Set Nov 27, 2009 - Jan 15, 2010 |
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| Michael Koch // forever more Oct 23, 2009 - Nov 21, 2009 |
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| Masaharu Sato // SIGNS Sepr 04, 2009 - Oct 17, 2009 |
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| Harding Meyer // blind date Jun 19, 2009 - Aug 22, 2009 |
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| Maria Friberg // way ahead Apr 24, 2009 - Jun 13, 2009 |
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| Claudia Rogge - The Opening Mar 06, 2009 - Apr 18, 2009 |
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| Claudia Rogge // Isolation ( aus: Segment 8 - die Blasen der Gesellschaft) Mar 06, 2009 - Apr 18, 2009 |
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| JoJo Tillmann // What you see is what you get Jan 30, 2009 - Feb 28, 2009 |
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| Sandra Ackermann // Die Wirklichkeit ist nicht die Wahrheit Nov 21, 2008 - Jan 24, 2009 |
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| Kate Waters - Getting used to the 21st Century Oct 10, 2008 - Nov 15, 2008 |
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| Mihoko Ogaki - Milky Ways Sepr 04, 2008 - Oct 04, 2008 |
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| Summer 2008 // Painting Aug 12, 2008 - Aug 30, 2008 |
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| Silke Rehberg: Stationen 1,4,6,7,11,12,13,14 Jun 13, 2008 - Jul 12, 2008 |
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| Maia Naveriani: At home with good ideas May 09, 2008 - Jun 07, 2008 |
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| Justin Richel: Rise and Fall Apr 04, 2008 - May 03, 2008 |
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| Davide La Rocca - Strange Object Feb 08, 2008 - Mar 28, 2008 |
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| Frank Bauer: AkikoAlinaAlinkaAndrew.... Nov 30, 2007 - Feb 02, 2008 |
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| Maria Friberg: Fallout Oct 12, 2007 - Nov 24, 2007 |
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| Harding Meyer / in sight Sepr 06, 2007 - Oct 11, 2007 |
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| SUMMER '07 Jul 17, 2007 - Sepr 01, 2007 |
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| Kay Kaul - Wasserfarben Jun 15, 2007 - Jul 14, 2007 |
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| Sandra Ackermann - Point Blank Mar 02, 2007 - Apr 28, 2007 |
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| Tamara K.E.: pioneers -none of us and somewhere else Jan 19, 2007 - Feb 24, 2007 |
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| Till Freiwald Nov 17, 2006 - Jan 13, 2007 |
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| Claudia Rogge: U N I F O R M Sepr 01, 2006 - Nov 11, 2006 |
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| Kate Waters: Killing Time May 05, 2006 - Jun 17, 2006 |
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| Katia Bourdarel: The Flesh of Fairy Tales Mar 31, 2006 - Apr 29, 2006 |
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| Mihoko Ogaki Feb 10, 2006 - Mar 18, 2006 |
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| Silke Rehberg: RICOMINCIARE DAL CORPO Jan 27, 2006 - Feb 26, 2006 |
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| Sandra Ackermann Dec 08, 2005 - Jan 15, 2006 |
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| Corrado Zeni Dec 04, 2005 - Jan 11, 2006 |
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| Frank Bauer Nov 18, 2005 - Jan 15, 2006 |
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| Harding Meyer Oct 07, 2005 - Nov 12, 2005 |
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| AUFTAKT Sepr 02, 2005 - Oct 01, 2005 |
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| Claudia Rogge: Rapport Jun 17, 2005 - Jul 20, 2005 |
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| May 13, 2005 - Jun 11, 2005 |
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| Kate Waters: Solo-Exhibition in the Gallery Thomas Cohn, Sao Paulo Apr 16, 2005 - May 20, 2005 |
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| Vittorio Gui: FROZEN MOMENTS Apr 08, 2005 - May 07, 2005 |
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| Kay Kaul - ARTSCAPES Apr 03, 2005 - May 29, 2005 |
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| SEO Geheimnisvoller Blick Mar 04, 2005 - Apr 02, 2005 |
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| Claudia van Koolwijk at Museum Bochum Feb 26, 2005 - Apr 17, 2005 |
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| Corrado Zeni - Six Degrees of Separation Nov 26, 2004 - Jan 15, 2005 |
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| Maia Naveriani: What' s the difference between ME and YOU? Oct 15, 2004 - Nov 20, 2004 |
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| Tamara K.E.: MAD DONNA AND DONNA CORLEONE Sepr 03, 2004 - Oct 09, 2004 |
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| Davide La Rocca: Real Vision Reflex Jun 12, 2004 - Jul 17, 2004 |
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| Kay Kaul COLLECTORSCAPES Apr 23, 2004 - Jun 05, 2004 |